Outer Space Effect Using Photoshop

Here's another fun tutorial to help you stretch and grow. This is my version, and I actually did it twice. The first time I followed the steps exactly and the result was not like the sample. The second time I changed some of the layer blending modes to get closer to the example. Give it a try - it was not all that difficult! I'll use the techniques I learned, for sure. http://www.jadgraphics.net/blog/create-amazing-extreme-space-background-photoshop/

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Apps and Artistry: How cell phone photography might actually be ‘legit’

Is the best camera really the one you have with you? Photographer Chase Jarvis thought so, and in 2009 wrote a whole book by that title featuring smartphone images. I tend to agree, especially when a once-in-a-lifetime moment pops up and the one thing I have in hand is an iPhone and a split-second window of opportunity. One of my most treasured images from the last decade is a discreet closeup of my mom cradling my dad’s hand as he lay dying. Captured spontaneously and non-intrusively with my cell phone from across the hospital room, it shows the depth and richness of their 75-year love story. Thankfully, the moment is ours forever because my phone was in my hand and I responded in a way that was respectful to and honoring of everyone. The same truth holds in more everyday settings, where “smaller can be better” for the amateur or semi-pro image maker. Venues are more welcoming and subjects more relaxed when a photographer is wielding a cell phone instead of a large camera. In sen...

Saratoga Racetrack

You know those places you return to again and again, where each time is just like the first and still better than the last? Saratoga is one of those places for me, and particularly the racetrack, where money and booze, thoroughbreds and jockeys, silk and leather, cigars and fancy hats rub shoulders and exchange nods like members of a secret society. The horses are sexy and strong. The women are perfumed and their rainbow colored hair meticulously coifed. Men look snappy and elegant if they're owners or regulars, and tired and intensely focused if they're handlers. Teller lines are long but fast moving and all faces are furtively fixed on video boards and CC TVs. Trackside, the atmosphere is electric and bright as thoroughbreds thunder by, sweating, gasping, veins and muscles bulging and covered in mud. Yeah. I like it. I hope I get to go back.

Perspective

In this composite using my macro rose with a friend's drone photo, I combined his expansive perspective with my intimate point of view. It's a great analogy for how I like to create — examine all sides of a subject before shooting, writing or forming an opinion about it. Both views are essential, and it's often of great benefit to view them at the same time.

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